Saturday, November 5, 2011
Saturday, October 29, 2011
Friday, October 28, 2011
Tuesday, October 25, 2011
Sunday, October 23, 2011
Sunday, September 11, 2011
9-11 remembrance - Elijah Grubbs Drawing
This is a picture my son, Elijah, drew on the evening of 9/11/2001. He was 5 years old at the time.
While we were watching the events unfold on TV, I asked him to take a break and go to his room for a while, and he drew this image.
I'm always amazed at the way children view the world - that he pieced all of the events together in a prescient moment; in part because that is the way he perceived it from viewing the unfolding events through the media, but another perspective is that by placing the planes apart from the buildings that it is an act of intellectual resistance - that it might be possible that either the event doesn't actually occur or that it could somehow be prevented.
The image depicts a frozen moment in time before the world changed.
Saturday, July 30, 2011
Study Painting - draft version
Acrylic on canvas. This is a draft version of a study painting that I'm working on. If you were interested in buying it, sorry, I've already painted over it. Don't worry, the new version looks better!
Sunday, July 10, 2011
Recent Work in California Art Studio
Acrylic on Canvas, 'Sports Play'.
Recently, I've been working primarily with charcoal, pastels and acrylic on canvases. Some are stretched over wooden frames, others I'm stapling directly to the wall of my studio. I'm saturating the canvases with water and keeping wet while working - the air is very dry in the California desert, and the heat tends to make the paints dry quickly. Each painting is developed over multiple sessions, and worked at varying levels of impasto and dryness.
I'll update the blog with some of my larger works in the coming days, so stay tuned.
Enjoy!
Labels:
California Period,
contemporary fine art,
painting
Saturday, July 9, 2011
Friday, July 8, 2011
Saturday, July 2, 2011
California Studio - the 'Desert Hut'
This is an interior shot of my studio in Twentynine Palms, California, known as the 'Desert Hut'.
The painting on the right is 'Competition', the painting on the left is a portrait with a series of other canvases that are stapled to the wall beneath it.
When working like this, the painting on top leaves a residue on the painting directly under it. Architects often speak of the notion of palimpsest, where an aspect of the city or a previous building are left as a residual element in a new architectural construction. Extending this concept to painting, I'm discovering similar possibilities with the stacking and subsequent removal of paintings stapled directly to the wall one atop another.
This image can give you a sense of the various scales of work that I'm engaged in developing, ranging from small sketches to what I would call mid-sized canvases.
Saturday, February 19, 2011
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